Evil Biscuit is a pseudonymous artist in the Solana avant-NFT scene, known for the Drifella triptych series (2023–2025). No biographical information has been published. What exists is the work and the artist’s statements on X.
The central project is Drifella III: 1,333 rooms, each containing a triptych, totaling 3,999 paintings. Bauman counts over 5,000 traits across the collection. Biscuit builds the images using the HashLips PFP engine, misdirecting it from clean collectible output into painterly chaos: PNG layers stacked as brushstrokes, “pencil” traits mixed with “paint” traits, until the underlying Dratini silhouette is barely legible.
Thematically the work is a coming-of-age story told through Pokémon lore, internet memes, punk music, and art-historical citation. Biscuit described the series in a March 2023 tweet as “a punk mash-up of milady. Mifella and Dratini.” The Drifella figure is a Dratini body resurrected with the dark-jester soul of Mifella; the Crucifella, introduced in The Constant Fella (2023), is the specific armature bridging earlier work to the room-scale ambitions of Drifella III.
Biscuit told Bauman that early iterations of Drifella III were too clear: “At first they were looking too close to drif 2 and you could see the dratini silhouette too clearly.” The correction — more paint layers, more distortion — is a compositional decision that reads as maturation or, in Bauman’s phrase, “descent into madness.”
The artist’s X account is @bis__cut. The primary critical essay on the work is Peter Bauman (Monk Antony), “Drifella III: Room for Complexity,” published in Le Random.